But understand this: there will be terrifying times in the last days. People will be self-centered and lovers of money, proud, haughty, abusive, disobedient to their parents, ungrateful, irreligious,callous, implacable, slanderous, licentious, brutal, hating what is good,traitors, reckless, conceited, lovers of pleasure rather than lovers of God,as they make a pretense of religion but deny its power. Reject them.
For some of these slip into homes and make captives of women weighed down by sins, led by various desires, always trying to learn but never able to reach a knowledge of the truth.
Just as Jannes and Jambres opposed Moses, so they also oppose the truth—people of depraved mind, unqualified in the faith.
But they will not make further progress, for their foolishness will be plain to all, as it was with those two.
2 Timothy, Chapter 3.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlNCEjMqXY_-NT7oMFzyHmFfOluf3Z5GTMi1rZKkuk6ZMAJNzkhEazK75L-rZRia270FctyRLJRamr8J-K3JjYvFaIw-p3M7lQUs4d1FCoEi1rnFyPfX0AbXjvH9Z9h_Lk6kmgg-AfaQDXdXtVlui1oeWoY8ujQC-0qHHzaiet71qtA6sIGbTrdnymBD0/w1086-h565/Leonardo_da_Vinci_(1452-1519)_-_The_Last_Supper_(1495-1498).jpg)
A very interesting Canadian agriculturalist whom I follow on Twitter (I don't care with Elon Musk calls it), who is also an Eastern Rite Catholic, noted that he, like me, didn't watch the Olympic opener (as will be noted, I watched the very start of it, grew bored, and wondered off). So he, like me, was left with the media accounts, of which there are plenty, including video, of a group of drag queens mocking Da Vinci's The Last Supper. He goes on to make the point that the sex laden transvestite portrayal was likely calculated to offend, but that The Last Supper is not an icon, which is quite correct.
But, with some exception, the Latin Rite lacks icons. While not the same, the great Medieval and Renaissance works of art in the West tended to be commissioned by the Church, so they have an association with it. Put another way, in order to offend to the degree as denigrating an icon, there'd be little other choice. 1 Again, it's not an icon, but part of a set of religious works of art commissioned by and associated with Christianity in the West.
It's hard to grasp why this would occur, but the outrage in the Catholic Church, and there is a lot of it, is justified. So is the embarrassment in some French circles, particularly French conservative ones. The French far right came with in a gnat's breath of taking over the French government two weeks ago and the ultimate makeup of the upcoming French government is still unknown. Had this happened before the election, I have a strong feeling that the French far right would be forming a government now.
That provides a topic for another thread, which we will address, but we'll note here. Part of the rise of National Conservatism and Christian Nationalism, and even just far right populism, is due to debauchery such as this.
The Olympics itself was quick to claim that the portrayal wasn't not of The Last Supper, which of course is an Italian, not a French, Renaissance work, noting on Twitter:
The interpretation of the Greek God Dionysus makes us aware of the absurdity of violence between human beings.
Hmm. . . Dionysus is a Greek mythological figure, not a French one. . .
Dionysus was the Greek god of is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. His Roman equivalent was Bacchus. While celebrated in Roman times, the Romans also restricted unofficial celebrations dedicated to Bacchus due to the excess he was associated with it.
Whatever else Dionysus may stand for or have stood for, it certainly had nothing to do with being against violence between human beings. He really had a lot more to do with booze, drunkenness, sex and insanity, and its interesting that the ancient Greeks linked all of them together. Eirene or Irene was the divinity associated with peace, but she didn't engage in drunken excess.
Another Olympic official also reacted with a series of excuses that were fairly lame. Thomas Jolly, the artistic director of the Olympics Opening Ceremony, said the display was about "inclusion".
When we want to include everyone and not exclude anyone, questions are raised. Our subject was not to be subversive. We never wanted to be subversive. We wanted to talk about diversity. Diversity means being together. We wanted to include everyone, as simple as that.
Whatever diversity means, it doesn't mean "being together". At least to some significant degree, it means being apart, and in the modern era, when this is being self defined in a way contrary to nature, it literally means being a Dionysus until one's self.
Jolly noted:
In France, we have freedom of creation, artistic freedom. We are lucky in France to live in a free country. I didn’t have any specific messages that I wanted to deliver. In France, we are republic, we have the right to love whom we want, we have the right not to be worshippers, we have a lot of rights in France, and this is what I wanted to convey.
Um, okay.
Le Filip, the winner of Drag Race France season three, probably got it more accurate.
I thought it would be a five-minute drag event with queer representation. I was amazed. It started with Lady Gaga, then we had drag queens, a huge rave, and a fire in the sky. It felt like a crowning all over again. I am proud to see my friends and queer people on the world stage.2
Whatever a person thinks of it, Le Filip grasped it better than Jolly did, quite frankly.
For many, as I have often told you and now tell you even in tears, conduct themselves as enemies of the cross of Christ.
Their end is destruction. Their God is their stomach; their glory is in their “shame.” Their minds are occupied with earthly things.o
St. Paul to the Philippians, Chapter 3.
A portion of France, particularly urban France, has waged war with the Church and Christianity since the failed French Revolution. Like all the revolutions that were conducted by populist mobs, their god was their belly and they turned on the Church. The same is true of the Bolshevik Revolution and the Mexican Revolution. The Church stands for the proposition that there is something greater, much greater, than us, where as populism of the left and right, at the end of the day, doesn't. Modern "progressivism", heir to the extreme left that arose in 1798 and 1917 has the same ethos, rejecting anything outside of ourselves and rising each person to an individual Bacchus no matter how much a person's own nature may be corrupted in one fashion or another, as individual natures are the only thing that matters. The portrayal at the Olympic opener celebrated that ethos shamefully mocking Christianity in favor of a world outlook that goes no deeper than a person's gentiles. Their glory, is their shame.
The storms that are raging around you will turn out to be for God’s glory, your own merit, and the good of many souls.
St. Padre Pio.
I'll be frank that I quit watching the opening ceremonies of Olympic games some time ago. I think the last one I actually watched was the Moscow Olympics, which is now quite some time back. They've ceased to make sense to me. The Olympics are ostensibly about sports, not about the glorification of the country where they're held, or drag queens. Indeed, I've frankly lost interest in the Olympics themselves for some reason.
This really reinforces that view, particularly as to this particular Olympics.
I feel they should just be permanently placed in Greece, for the summer games.
Make no mistake: God is not mocked, for a person will reap only what he sows, because the one who sows for his flesh will reap corruption from the flesh, but the one who sows for the spirit will reap eternal life from the spirit.
Galatians, Chapter 6.
I suspect most of the viewing audience will simply regard this attack on Catholicism as part of the show, shrug it off, and move on. In doing so, they benefit from the liberal culture the Church created in the West and the fact that central to the Christian worldview is turning the other cheek. In contrast, France has a very large Muslim population that nobody would dare attack in such a fashion, a cartoon depicting Mohammed for instance famously resulting in murder. There will be no drag queens taking on an Islamic topic. None. Islam doesn't turn the other cheek. Likewise, Hinduism, which of course would be completely foreign to France, can't be attacked in this fashion either without almost immediate retribution.3
Catholics aren't going to do that, nor will the rest of the Christian world.
Which doesn't mean that the offense should be ignored.
Footnotes:
1. One religious image that has endured this is the tilmahtli associated with Our Lady of Guadalupe. Back when there was a print Playboy magazine, the company issued a Mexican edition with a Mexican woman featured on the cover replicating the image in a pornographic fashion, which brought a firestorm of criticism.
That, and this, give credence to those who claim a diabolical origin to these events.
2. Are there no French singers to do an Olympic opening? Why Stefani Germanotta as the opening act? That alone is embarrassing for France.
Having said that, the Marseilles was beautifully sung by Axelle Saint-Cirel. They should have just stopped right there.
In case anyone wonders, my watching of the show was basically bookended by those two acts. I grew tired of the masked boofador running over roofs and wondered off to take a shower and watch something else.
3. One religion that has endured something like this is the LDS, Mormon, faith. Target of the satiric comedic The Book Of Mormon, it's basically shrugged it off, probably figuring, correctly, that as a minority religion, it might actually benefit from being mocked, as it at least puts a spotlight on it. I'd guess, however, that Mormons aren't keen on the portrayal, and while I've never seen it, and I'm not a Mormon, I'm not either. As noted, nobody would put on a Broadway satiric "The Koran", nor should they.