Mocking Christianity.

But understand this: there will be terrifying times in the last days.  People will be self-centered and lovers of money, proud, haughty, abusive, disobedient to their parents, ungrateful, irreligious,callous, implacable, slanderous, licentious, brutal, hating what is good,traitors, reckless, conceited, lovers of pleasure rather than lovers of God,as they make a pretense of religion but deny its power. Reject them.

For some of these slip into homes and make captives of women weighed down by sins, led by various desires, always trying to learn but never able to reach a knowledge of the truth.

Just as Jannes and Jambres opposed Moses, so they also oppose the truth—people of depraved mind, unqualified in the faith.

But they will not make further progress, for their foolishness will be plain to all, as it was with those two.

2 Timothy, Chapter 3.

A very interesting Canadian agriculturalist whom I follow on Twitter (I don't care with Elon Musk calls it), who is also an Eastern Rite Catholic, noted that he, like me, didn't watch the Olympic opener (as will be noted, I watched the very start of it, grew bored, and wondered off).  So he, like me, was left with the media accounts, of which there are plenty, including video, of a group of drag queens mocking Da Vinci's The Last Supper.  He goes on to make the  point that the sex laden transvestite portrayal was likely calculated to offend, but that The Last Supper is not an icon, which is quite correct.

But, with some exception, the Latin Rite lacks icons.  While not the same, the great Medieval and Renaissance works of art in the West tended to be commissioned by the Church, so they have an association with it.  Put another way, in order to offend to the  degree as denigrating an icon, there'd be little other choice. ¹  Again, it's not an icon, but part of a set of religious works of art commissioned by and associated with Christianity in the West.

It's hard to grasp why this would occur, but the outrage in the Catholic Church, and there is a lot of it, is justified.  So is the embarrassment in some French circles, particularly French conservative ones.  The French far right came with in a gnat's breath of taking over the French government two weeks ago and the ultimate makeup of the upcoming French government is still unknown.  Had this happened before the election, I have a strong feeling that the French far right would be forming a government now.

That provides a topic for another thread, which we will address, but we'll note here.  Part of the rise of National Conservatism and Christian Nationalism, and even just far right populism, is due to debauchery such as this.

The Olympics itself was quick to claim that the portrayal wasn't not of The Last Supper, which of course is an Italian, not a French, Renaissance work, noting on Twitter:

The interpretation of the Greek God Dionysus makes us aware of the absurdity of violence between human beings.

Hmm. . . Dionysus is a Greek mythological figure, not a French one. . . 

Dionysus was the Greek god of  is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre.  His Roman equivalent was Bacchus.  While celebrated in Roman times, the Romans also restricted unofficial celebrations dedicated to Bacchus due to the excess he was associated with it.  

Whatever else Dionysus may stand for or have stood for, it certainly had nothing to do with being against violence between human beings.  He really had a lot more to do with booze, drunkenness, sex and insanity, and its interesting that the ancient Greeks linked all of them together.  Eirene or Irene was the divinity associated with peace, but she didn't engage in drunken excess.

Another Olympic official also reacted with a series of excuses that were fairly lame.  Thomas Jolly, the artistic director of the Olympics Opening Ceremony, said the display was about "inclusion".

When we want to include everyone and not exclude anyone, questions are raised. Our subject was not to be subversive. We never wanted to be subversive. We wanted to talk about diversity. Diversity means being together. We wanted to include everyone, as simple as that.

Whatever diversity means, it doesn't mean "being together".  At least to some significant degree, it means being apart, and in the modern era, when this is being self defined in a way contrary to nature, it literally means being a Dionysus until one's self.

Jolly noted:

In France, we have freedom of creation, artistic freedom. We are lucky in France to live in a free country. I didn’t have any specific messages that I wanted to deliver. In France, we are republic, we have the right to love whom we want, we have the right not to be worshippers, we have a lot of rights in France, and this is what I wanted to convey.

Um, okay.

Le Filip, the winner of  Drag Race France season three, probably got it more accurate.

I thought it would be a five-minute drag event with queer representation. I was amazed.  It started with Lady Gaga, then we had drag queens, a huge rave, and a fire in the sky. It felt like a crowning all over again. I am proud to see my friends and queer people on the world stage.² 

Whatever a person thinks of it, Le Filip grasped it better than Jolly did, quite frankly.

For many, as I have often told you and now tell you even in tears, conduct themselves as enemies of the cross of Christ.

Their end is destruction. Their God is their stomach; their glory is in their “shame.” Their minds are occupied with earthly things.o

St. Paul to the Philippians, Chapter 3.

A portion of France, particularly urban France, has waged war with the Church and Christianity since the failed French Revolution.  Like all the revolutions that were conducted by populist mobs, their god was their belly and they turned on the Church. The same is true of the Bolshevik Revolution and the Mexican Revolution. The Church stands for the proposition that there is something greater, much greater, than us, where as populism of the left and right, at the end of the day, doesn't.  Modern "progressivism", heir to the extreme left that arose in 1798 and 1917 has the same ethos, rejecting anything outside of ourselves and rising each person to an individual Bacchus no matter how much a person's own nature may be corrupted in one fashion or another, as individual natures are the only thing that matters.  The portrayal at the Olympic opener celebrated that ethos shamefully mocking Christianity in favor of a world outlook that goes no deeper than a person's gentiles.  Their glory, is their shame.

The storms that are raging around you will turn out to be for God’s glory, your own merit, and the good of many souls. 

St. Padre Pio.

I'll be frank that I quit watching the opening ceremonies of Olympic games some time ago.  I think the last one I actually watched was the Moscow Olympics, which is now quite some time back. They've ceased to make sense to me. The Olympics are ostensibly about sports, not about the glorification of the country where they're held, or drag queens.  Indeed, I've frankly lost interest in the Olympics themselves for some reason.

This really reinforces that view, particularly as to this particular Olympics.

I feel they should just be permanently placed in Greece, for the summer games.

Make no mistake: God is not mocked, for a person will reap only what he sows, because the one who sows for his flesh will reap corruption from the flesh, but the one who sows for the spirit will reap eternal life from the spirit.

Galatians, Chapter 6.

I suspect most of the viewing audience will simply regard this attack on Catholicism as part of the show, shrug it off, and move on.  In doing so, they benefit from the liberal culture the Church created in the West and the fact that central to the Christian worldview is turning the other cheek.  In contrast, France has a very large Muslim population that nobody would dare attack in such a fashion, a cartoon depicting Mohammed for instance famously resulting in murder.  There will be no drag queens taking on an Islamic topic.  None.  Islam doesn't turn the other cheek.  Likewise, Hinduism, which of course would be completely foreign to France, can't be attacked in this fashion either without almost immediate retribution.³

Catholics aren't going to do that, nor will the rest of the Christian world.

Which doesn't mean that the offense should be ignored.

Footnotes:

1.  One religious image that has endured this is the tilmahtli associated with Our Lady of Guadalupe.  Back when there was a print Playboy magazine, the company issued a Mexican edition with a Mexican woman featured on the cover replicating the image in a pornographic fashion, which brought a firestorm of criticism.

That, and this, give credence to those who claim a diabolical origin to these events.

2.  Are there no French singers to do an Olympic opening?  Why Stefani Germanotta as the opening act?  That alone is embarrassing for France.

Having said that, the Marseilles was beautifully sung by Axelle Saint-Cirel. They should have just stopped right there.

In case anyone wonders, my watching of the show was basically bookended by those two acts.  I grew tired of the masked boofador running over roofs and wondered off to take a shower and watch something else.

3.  One religion that has endured something like this is the LDS, Mormon, faith.  Target of the satiric comedic The Book Of Mormon, it's basically shrugged it off, probably figuring, correctly, that as a minority religion, it might actually benefit from being mocked, as it at least puts a spotlight on it.  I'd guess, however, that Mormons aren't keen on the portrayal, and while I've never seen it, and I'm not a Mormon, I'm not either.  As noted, nobody would put on a Broadway satiric "The Koran", nor should they.

Somewhere, Francis Scott Key and Jimi Hendrix are crying. Ingrid Andress performs National Anthem at All-Star Game HR derby 2024.

Wednesday, March 15, 1944. The destruction of Monte Cassino.

Allied aircraft dropped 14,000 tons of bombs on Monte Cassino and fired 195,000 rounds of artillery.  British, Indian and New Zealand troops tried, and failed, to take the abbey.

The Red Army crossed the Bug.

US troops held off a Japanese assault on the American beachhead at Bougainville.

Additional cavalry landed on Manus Island in the Admiralities.

The Japanese crossed the Chindwwin River in Burma.

The U-653 was sunk in the North Atlantic by the Royal Navy.  The British submarine Stonehenge was lost in the Indian Ocean.

The State Anthem of the Soviet Union replaced The Internationale as the anthem of the USSR.

Last prior:

Tuesday, March 14, 1944. Isolating Ireland

Tuesday, November 24, 1942. The end of Case Blue.

Case Blue, the 1942 German summer offensive on the Eastern Front, came to an end having not achieved its goals, which had been to capture the oil fields of Baku, Grozny and Maikop.

The thought was that without oil, the Soviets couldn't fight, and the Germans would be able to.  Indeed, taking Soviet oil production had been part of the original goal of Operation Barbarossa, with the thought being that the Germans needed it to wage war against the United Kingdom.

By User:Gdr - Own work information from Overy, Richard (2019) World War II Map by Map, DK, pp. 148−150 ISBN: 9780241358719., CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=443854

It's strategic aims, often criticized, were sound and grasped the importance of petroleum on the ability to wage modern war.  Hitler had a major role in forming the campaign's development and direction and frankly, while the campaign is often criticized for redirecting German assets to southern Russia rather than the north, with the focus being Moscow, the plan demonstrated a good gasp on resources and modern warfare, and the protracted nature of the latter.  Had the campaign succeeded in its goals, which were problematic in more ways than one, it would have at least deprived the Soviet Union of significant war fighting assets.  It probably would not have succeeded in providing those to the Germans, however, as the Soviets would have destroyed oil production facilities prior to the Germans taking them.  Whether the Germans had the capacity to restore production is doubtful.

The plan was, moreover, overambitious and its initial success caused the Germans to take actions which reduced its potential effectiveness.  

In spite of its ultimate failure, the offensive was remarkably successful at first, which encouraged the Germans to overextend themselves.  By November the offensive had lost steam, without succeeding in its goals, and Operation Uranus soon demonstrated that the Germans were now grossly overextended. The Soviets, additionally, managed to increase the size of their army throughout the campaign and by its end had over 1,000,000 more men in the field than the Germans did. The Germans, for their part, lost 200,000 men during the campaign and the Romanian army was effectively ground down to semi ineffective.  By the campaign's end, moreover, the Germans were relying on Romanian, Hungarian and Italian troops to a dangerous extent.

The end of the campaign came with the Soviets launching a series of winter offensives.

Case Blue brought the Germans to their high water mark of World War Two.  Its failure was followed by losing ground in the East in the winter of 1942, which they were also doing in North Africa at the same time.  Indeed, due to its failure it should have been obvious to the Germans that wining the war was not impossible.

Rabbi Wise.

Rabbi Stephen Wise, president of the World Jewish Congress, held a press conference in which he revealed information leaked from Europe of German atrocities against the Jews.

Rabbi Wise had the information for three months, but has been asked not to reveal it by the U.S. Government as it could not be confirmed, which of course it could not.  At this point, however, he correctly felt that releasing the information was necessary.

Wise had been born in Hungary, but came to the US as an infant with his parents. His father and grandfather were also rabbis.

Peadar Kearney, writer of the Irish National Anthem A Soldiers Song, "Amhrán na bhFiann" died at age 58.

Wyoming songs: State Anthem.

This is the one I had to learn in grade school.  It's still the state anthem, but you never hear it anymore.  When my kids went through grade school they weren't taught it.

The song was written by Judge Charles E. Winter, whom one of my aunts had worked for when she was a teenager. He'd had quite a career, having been Wyoming's Congressman and later Governor of Puerto Rico.  He returned to practicing law in Casper and was therefore one of those examples of lawyers who seemingly never retire.

He was also multi talented.  In addition to being a songwriter, he was a novelist, with one of his novels having been made into a movie several times.  His son, Warren, was still practicing when I was first a lawyer, and was nearly 100 when he died.  He also never retired.

The American Songbook

Some time ago, several years ago in fact, I was in Court and the judge presiding over the case (we were in chambers) noted that his children, who were approximately the same age as mine, didn't learn the songs we all learned as kids in school.  I was quite surprised by that, but upon returning home I found that was indeed true of my own. Entire groups of songs that we learned in school were completely unknown to them.

In grade school, in the 1960 and early 1970s, we learned a range of "traditional" songs, some of which, in thinking back, weren't all that old at the time, but seemed so.  These included the Hudie Ledbetter (Leadbelly) series of songs that most people believe are age-old folk songs, some genuine old folks songs, folk songs of the 1930s and some well known U.S. military ballads.

Songs that I can recall learning this way, if not always understanding, include Down In the Valley, Jimmie Cracked Corn, Johnnie Came Marching Home, The Battle Hymn of the Republic, Little Brown Church In the Vale,  Red River Valley and This Land is Your Land, amongst others.

The lyrics of some included cultural references that were never explained to us, such as Jimmie Cracked Corn, which is sung from the prospective of a Southern slave.  By today's standards, that song would be both rather shocking, and not exactly socially tolerable.  Others were cleaned up versions of songs that had heavy situational references unknown to us.  Down In The Valley, for example, is a Leadbelly song that includes a references to being in prison, if all the lyrics are included, 

Write me a letter, send it by mail;
Send it in care of the Birmingham jail,
Birmingham jail, dear, Birmingham jail, 
Send it in care of the Birmingham jail,

At least one standard was somewhat controversial in its origin, but it seems to have gotten over it quickly, perhaps in spite of the desires of Woodie Guthrie, its author, that being This Land Is Your Land.  Guthrie, who was basically a fellow traveler prior to World War Two, meant the lyrics of the song much more literally than most seem to believe.  Of course, the last three stanzas of the song are usually omitted.

As I went walking I saw a sign there
And on the sign it said "No Trespassing."
But on the other side it didn't say nothing,
That side was made for you and me.

In the shadow of the steeple I saw my people,
By the relief office I seen my people;
As they stood there hungry, I stood there asking
Is this land made for you and me?

Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.

One of the more unusual songs, looking back, that we learned was the Field Artillery Song.  I later had to learn it again, or sing it rather as I already knew it, at Ft. Sill.  I'd already learned it as a child in grade school.

Over hill, over dale,

We will hit the dusty trail,

And those Caissons go rolling along.

Up and down, in and out,

Counter march and left about,

And those Caissons go rolling along,

For it's high high he,

In the Field Artillery,

Shout out your "No" loud and strong,

For wher-e’er we go,

You will always know,

That those Caissons go rolling along.

I had to ask my father what a caisson was, at some point, I recalled.  It isn't something that a person encounters everyday, of course.  Similarly, we learned the lyrics of The Marine Corps Hymn.

We learned a selection of national or patriotic songs as well.  Of course The Star Spangled Banner was one. So was My Country Tis of Thee, which I learned at home was to the same tune as the British National Anthem, The Queen.  My Country Tis of Thee is much less less martial.

My country, 'tis of thee,

Sweet land of liberty,

Of thee I sing;

Land where my fathers died,

Land of the pilgrims' pride,

From ev'ry mountainside

Let freedom ring!

The "land where my fathers died" caused some distress to us, as young children, in hearing it as thankfully all of our fathers were alive.  It would be years later before I"d actually hear all of the lyrics to the origianal song, The Queen.

God save our gracious Queen!

Long live our noble Queen!

God save the Queen!

Send her victorious,

Happy and glorious,

Long to reign over us:

God save The Queen!

O Lord our God arise,

Scatter her enemies,

And make them fall:

Confound their politics,

Frustrate their knavish tricks,

On Thee our hopes we fix:

God save us all.

Thy choicest gifts in store,

On her be pleased to pour;

Long may she reign:

May she defend our laws,

And ever give us cause,

To sing with heart and voice,

God save the Queen!

One song we learned that was probably unique to us was the state song, Wyoming.

These songs tended to be taught in music class, in which a music teacher who went from school to school taught the songs and occasionally played the piano.  I can't recall her name, but I do recall that she tried to teach us something by making us memorize the words Tee Tee Te-te Tong, in much the same way the children in The Sound Of Music learn the "Doe, a deer" song.   Sometimes we gathered in school assemblies, seated by grade, and sang them along with clips from "film strips".

Now all of this seems to be a thing of the past, and there's a lot to teach so perhaps that's no surprise. But in looking back at it, it's a bit of an open question, maybe, of what occurs when a culture loses its base of common songs.  The country won't collapse, of course, but a bit of a widely shared heritage is lost in the process.