The Vietnam War in film

 

 Infantry in Vietnam.

Having recently created the page on Movies In History, listing all the films reviewed on this site, I found that I hadn't reviewed any Vietnam War movies.  I think that is, in part, as I intended to set them all out in one big list, as I have done for movies about incursions into Mexico and about the Battle of Stalingrad.

Each of the movies listed here deserve their own thread, but they'll all be treated together for one single reason.  There really isn't an accurate, Saving Private Ryan, type film about Vietnam.  Something about the war has just kept there from being one. Every movie about the war is politicized in some ways, so the war, which is our most politicized war since the Civil War, continues on to be colored by debate, even in film, and even after the many  years since the war ended.  So here we treat the films all together.

Chances are, I'd note, that some are missing.

The Big Screen

Apocalypse Now.

This film was really the first big budget movie about the Vietnam War if it's about the Vietnam War, and for that reason it got a lot of attention at the time it was released in 1979  I saw the film at that time, while I was in high school, and liked it.

I can't make it through the film now.

Based on the novel Heart of Darkness, which is actually set in Africa in an earlier era, this film adopts the river trip theme of that novel and follows a Special Forces captain on a secret mission up a river, and into Cambodia, to assassinate another Special Forces officer who has gone rogue.

The plot is absurd and anyone familiar with the war itself would find most of the details absurd.  Why must the officer be inserted by boat?  If a B-52 mission is standing by, and it is, why not just bomb the target rather than do this?  The whole thing is really silly.  Dark and moody, but also very silly.

There are a couple of redeeming features to the film but only a couple.  One is the portrayal of a somewhat unhinged 1st Cavalry officer by Robert Duvall.  Portrayed as a satire on professional military men, the character actually holds up well and seems saner over time than he did at the time the movie was made. 

Helicopter scene are really well done, in part because the helicopters are real Philippine Army helicopters that actually had to roar off on real missions while the movie was made. So, they look authentic because they are.  And the Navy riverine boat is well portrayed. 

The rest of the movie doesn't hold up and it isn't close to being an accurate representation of any real war we've ever fought.

On material details, I will say that they are nicely done.

Platoon.

Nearly a decade after Apocalypse Now was filmed, Platoon was released. 

A moody introspective 1986 film about a moody infantryman and the two rival sergeants in his platoon, this film also appealed to me when it was released but it doesn't hold up well in some ways.

The film attempts to portray the somewhat broken Army of the late Vietnam War, but it goes a bit overboard in depicting that. Still, the depiction isn't without some merit.  Where it fails is that the NCOs are shown as way more powerful in context than they really would have been, and the officers way more anemic, even for this strained period.

In terms of event depictions, the concluding enormous battle is also, quite frankly, incorrect.  Big huge assaults by large North Vietnamese Army units happened, but not very often and the depiction of the NVA in the latter part of this film shows a much more conventional and aggressive army than the NVA really was. The experience shown just doesn't depict an experience a real American soldier would have been likely to have endured.

In terms of material details, there are some weird errors in this film, particularly given that the director, Oliver Stone, was a Vietnam veteran.  For example, NCOs are shown carrying CAR-15s rather than M16A1s.  CAR-15s did make an appearance in the Vietnam War in the hands of Special Forces troops, but not regular soldiers, and the inclusion here is really odd.  The film omits any depiction of designated automatic weapon infantrymen, but that detail isn't surprising as its a military detail that only those with service would note. The film goes overboard in the end (in a lot of ways) in showing the recapture of ground by an armored force that's adopted a Nazi German battle flag and is lead by a really fat soldier.  Not very likely.

So, the movie is only so so.

Hamburger Hill.

Of the big budget well known Vietnam films, this one is both the best and the least well known.

Released in 1987, the year after Platoon, this movie is a fictionalized account of the real battle for Hill 937 in 1969. The battle was a Vietnam War anomaly as it featured almost Korean War like conditions in which the U.S. Army assaulted a fortified NVA held hill, taking it.  While North Vietnamese casualties were nearly ten times higher than American ones, the battle itself became infamous in part because it was easy to focus on.  This movie does a good job of following a single squad in that battle.  Completely enlisted man focused, the film is sort of the Battleground of Vietnam War films.  Material details, additionally, are well done.

Oddly, this film received very little attention when it came out.  Platoon, which was a commercial success, but which is not as good of film, came out only a year prior, so that's a bit hard to explain. This film, which sort of recalls the Korean War film Pork Chop Hill, may just have been a bit too conventional in a time at which the Vietnam War was still recalled in the early 1970s fashion.

The Boys In Company C

This 1978 film  predated Apocalypse Now by a year and is almost unknown today.

This film follows a Marine Corps Company through basic training and on to Vietnam. It's really well done, although it certainly shows its 1970s release in terms of its mood.  A much better film than many of the later Vietnam War films, it's a bit marred by its odd ending.

Full Metal Jacket

Full Metal Jacket, which came out in 1987, is one of the more famous Vietnam War films and it did well at the box office.  It has to be mentioned, however, together with The Boys from Company C.

If a person watching The Boys from Company C finds it oddly similar to Full Metal Jacket, that's because it definitely is.  Stanly Kubrick was sued for that very reason and settled the suit.  The film is remarkably similar in following Marines through basic training, with the drill sergeant being played in both films by R. Lee Emery, although he's only of the correct age for that role in the first film.  Indeed, in the first film the portrayal of the DI is more realistic and human and less over the top.  The films depart paths after basic training, however.  The basic training portion of the film, while very profane and with a highly exaggerated DI character, is the best part of the film. The later combat portion of the film really fails.

I don't like this film.  It's weird in the Kubrick fashion and too gritty and unseemly for reality.  Skip it and see The Boys In Company C instead.

We Were Soldiers

Mel Gibson's 2002 We Were Soldiers should be the best Vietnam War film as its based on the book, a straight history, and its the most recently done. Still, it isn't.

The film isn't bad, but it seems to almost attempt to make up for the anti army mood of other Vietnam War movies.  Focused on the 1965 introduction of air cavalry into the Vietnam War, the movie does a good job with material details but it is also the most rah rah Vietnam War movie to have been made since The Green Berets.  It's simply too heroic and too one sided.  The American Army depicted in this film is invincible.

The film was a nice effort, but it's simply too much. Sort of the The Patriot goes to Vietnam.

The Green Berets

The Green Berets was released in 1968, when the war was still on.

It's awful.

Based upon a book written by a journalist, which was a series of short stories based on fact, this film is really bad.  Filmed in South Carolina, it looks it.  The characters are all of the super heroic variety found in some World War Two era films.  John Wayne, who was responsible for the film, starred in it, and he's obviously way too old to be serving in a Special Forces unit.

Horrible movie.  In my view, the worst of the Vietnam War movies, and one of John Wayne's worst.

The Deer Hunter

I hate this movie and have never been able to get through it.

I can hardly describe this film other than to note that it is supposed to follow the service of some close friends in the Special Forces, from their pre war life in Pennsylvania through the post war.  It's just bad.

Included in this film, I'd note, for no known reason is a really long Russian Orthodox wedding scene.  It's endless.

I'd skip this one.

Operation Dumbo Drop

It may seem odd to list this small Disney film to the list, but it's about a real event in the Vietnam War.  Its a highly fictionalized account, but the movie is well done.

One of the odder things about this film is that its one of the few that gets the small unit nature of much of the war right.  The war was a guerrilla war, and in this film its shown that way.  Showing a small Special Forces unit, and small NVA and VC units, the film is quite well done.  It's one of the better Vietnam War films.

In terms of material details, this film also, oddly enough, does a good job for the most part.  Uniforms are actually correct, something that tends to be difficult for movies showing Special Forces units.  The film includes a depiction of a C123 Provider, a Vietnam War era transport aircraft that's hardly ever shown in film.  An odd era is the depiction of one soldier carrying a Browning High Power in a shoulder holster, but given the character's role, perhaps that actually makes sense.

84CharlieMoPic

A small budget Vietnam War era film, this film is also a surprisingly good one.

This film shows the patrol of a Special Forces squad through the eyes of an Army cameraman assigned to accompany the patrol.  His MOS is 84CMoPic, hence the name of the film.  The cameraman is only scene twice in the entire movie.

This movie is good one in showing the small scale nature of much of the war, which it does well.  It's only so so in material details and makes a few errors, but that doesn't detract from the film overall.  One of the better Vietnam War era movies.

Causalities of War

This gut wrenching film is one of the few Vietnam War movies based on actual events, and horrific ones at that.

This movie is based on a real event in which a squad of infantrymen took a Vietnamese girl from a village, assaulted her, and then murdered her. One of the squad refuses to participate and then attempts to report the event, leading to endless frustration of his efforts and his near murder.

Very well done, this film shows the small scale nature of he war and the late war breakdown in the Army.  It's also another film that's remarkably correct in material details.  It stars Michael J. Fox as the infantryman, and Shawn Penn as his sergeant, which is a nice touch in that they're about the right age for their roles and they portray them well.  If the diminutive Fox doesn't seem well cast as an infantryman, perhaps that's the point as after all this was a conscript army in which most of the soldiers were average men.

Tribes

This 1970 movie is one that I haven't seen in many years, but I recall it as being a fairly good film.  It depicts the late Vietnam War incorporation of draftees into the Marine Crops and involves a Drill Instructor's efforts to train one.  Its a clash of culture type of film and was well done.

Bat 21

This is an unusual movie, and one of two of which I'm aware involving pilots.  This one follows the efforts of  an Air Force pilot to extract a shot down Navy pilot.  It's really well done and an engaging story.

The other aircraft movie, by the way, is Flight of the Intruder, which I have not seen.

The Killing Fields

The Killing Fields isn't about the Vietnam War, it's about Cambodia, but generally these wars are regarded as part and parcel of each other.

This is a truly gut wrenching true story and this movie may be the absolute best drama about events in Southeast Asia of that period. More of a drama that a war picture, it's justifiably well regarded.

Good Morning Vietnam

This movie involves a fictionalized version of Adrian Cronauer's service as a USAF disk jockey on Armed Forces Radio in Vietnam. Set fairly early in the war, it's well done and showed the late Robin William's dramatic range.

The film suffers in a few material details, but not many, and of course it's not a combat movie.

The Odd Angry Shot.

We're so used to thinking of the Vietnam War that we tend to forget that it wasn't an exclusively American war by any means.  Indeed, the ARVN contributed the biggest combat force in defense of South Vietnam.

A major contributor can be found in Australia.  Indeed, it's often forgotten, including by the Australians themselves, that the Australians urged the US to get into South Vietnam well before the Americans had any intention of doing so and they threatened to enter the fight themselves if the US did not.  

Now, the war tends to be remembered by Australians as something we got them into, which isn't at all correct.  But no matter, the fact that it was a significant Australian war means that it should not surprise us that Australia has produced its own move about the war, The Odd Angry Shot.

I haven't seen this film in years, but I do recall liking it, except for its overly cynical view about American soldiers. The film follows a group of Australian SAS troops on a tour of duty in South Vietnam.  It's a small action film, unlike any major move that the US has produced.  And not a bad one.

The Small Screen.

Perhaps not too surprising, the Vietnam War has made its appearance on the small screen as well as the large.  Some television series set in the war were done, with one being well remembered.

China Beach

Moody in the extreme, China Beach concerned the lives of Army nurses and doctors a the real location of  China Beach, in Vietnam.

I liked this series at the time, but it became moodier and moodier and less realistic as it went on.  Running from 1988 through 1991, the series oddly attempted to incorporate infantrymen into the story line on an individual basis, something that would not have occurred in the same way in real life.  Efforts to explore the lives of the characters post war were well intentioned but bleak.

Tour of Duty

Tour of Duty followed a single infantry platoon in the war during a three year run.

I haven't seen an episode of this since probably 1988 or so, and I didn't seen how the series ended as I was in law school and lacked a television.  But the series was well done to the extent I remember it. 

No television series involving a single combat unit had been done for a long time, and all the prior ones I can recall concerned World War Two, so this series is somewhat unique.  Nothing like it has been done since.  Of interest, it's more of a small action film, rather than a big battle film, which more accurately predicts the experiences of most US troops than the movies tend to in that regards.

Gomer Pyle, USMC

What!!???

Gomer Pyle isn't about the Vietnam War!  I can hear the exclamations now.

That's right, it isn't, and that's my point.

This series was a spinof of the Andy Griffith Show and it took Mayberry mechanic Gomer Pyle into the USMC as he followed JFK's injunction to "Ask now what your country can do for you, but what you can do for your country".  Pyle heeds the President's words and joins the Marines.

Intended to be a charming comedy, it tends to be forgotten that the series ran from 1964 to 1969.  So, the series commences one year prior to the Marines landing at Da Nang and it ended after the Tet Offensive.  None the less, the war just doesn't show up in the series.  Bizarre.  About the only concession to a war actually going on is late in the series when Jim Neigbhors, who played Pyle, and who was an accomplished musician, is seen singing "Blowing In The Wind" with some hippies. By that point, I suspect, the producers of the show knew that it was badly out of sink with the views then held by the American public.

The point of including this here is to issue a caveat about looking at contemporary films as accurately reflecting the events of their time.  In some decades they do, in others they very much do not.  Films of the 1940s never ignore the ongoing overriding event of the day, World War Two.  Films made during the Depression tend to reflect its ongoing existence. But films of the 1960s generally do not tend to reflect the era.  Hollywood was making beach films with the stars of the 1950s well into the late 1960s, for example. And on television, Gomer Pyle was serving in a Marine Corps that looked like the World War Two era Marine Corps, was equipped like it, and it wasn't at war. 

What's not listed here?

I admit, as many Vietnam War films as I've seen, I haven't seen them all. The ones that I know I've missed are The Flight of the Intruder and Tigerland.

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Related Pages:

Movies In History:  The List