Tuesday, February 24, 2015

When people rode.

 Charleston, South Carolina, in 1909.  My grandfather, from St. Lambert Quebec, was living in Charleston at the time my grandmother wrote the lines below.

One of my cousins has been transcribing some of my grandparents old correspondence and sharing it with us, a real treat.  These date from the early part of 1917.

In some recent letters between them prior to their being married, this showed up, in correspondence from my grandmother to my grandfather:

I am glad you are beginning to get a little more settled in your position. I think it must be nice travelling through the mountains and then, if you get a horse, to go horse back riding on your tours, you will like it ever so much better. You will be getting to be a regular cow-boy.        
 And:

This noon, I received your further letter of the 17th, and do hope that matters will be so arranged so that you will not be overworked. Can you not get a horse and go horseback riding instead of all that walking? You certainly must have done an awful lot to have so strained yourself, after all the walking we have done together.
And
This morning, I almost got run over by a runaway horse. Anyhow, my guardian angel was looking after me, I guess. Just as I came along Laurier, near Hutchison, I went to cross the street, when a baker’s wagon came tearing around the corner of Hutchison to go up Laurier, when the wagon swerved around, caught in the track, and upset, throwing the driver on his head on the track. The horse then frightened, and started to run away. It seemed to be blind and ran straight into a chinaman’s shop, on the other side of the street. It just missed a grocery store with big plate glass windows. I think the driver was hurt alright.
 And
I had a good laugh over your description of your horseback riding and the tendency the horse had for going to the dangerous spots.
And
I received your very interesting letter of the 3rd this morning. It certainly must have been lovely riding through those mountains. It is too bad you had to do so much from the beginning instead of going gradually. But then as you say, it is up to Mr. (?) otherwise it would be just lovely. I just love horseback riding and then through such beautiful country.
My grandfather was working in Charleston, South Carolina at the time, and my grandmother, his fiance, was living in Quebec. I've never thought of that grandfather as being somebody who rode, but based on the letter, and my grandmother's causal reference to it, I suspect that my thought on that was wrong.

Dealing with terrorist

According to breaking news, ISIL increased its demand for the release of Kayla Mueller after the administration bargained for the release of Sgt. Bowe Bergdahl in Afghanistan.  Bergdahl is now charged by Army authorities with desertion in relation to his captivity and is set to stand trial in a court martial for the same.

This doesn't mean that the young woman, who was in Syria by her own volition, would have been freed by ISIL but for the administration securing the release of Berghdahl in the fashion which it did.  But it is something people should stop and consider.  Mueller was a devout Christian (something that the news media has largely ignored regarding her, and there is evidence that she was handed out as a war prize bride to an ISIL fighter by that entity, somewhat applying a practice that Mohammed sanctioned for his fighters in allowing them to take captive women for their own, in consolation for their separation from their spouses.  ISIL has been dolling out Christian and Yazidi women to its combatants as "brides". That fate was most likely grim for Mueller but it may also have been keeping her alive.  Of course, that status may also have kept her there.

At any rate, a person should pause to consider, in light of this, what unfortunate lesson was conveyed by the US bargaining with prisoners for the release of a man we will now try as a deserter.

Lex Anteinternet: The return of a perennial bad idea, the transfer o...

The bad idea discussed here; 
Lex Anteinternet: The return of a perennial bad idea, the transfer o...: Every few years Wyoming and the other western states get the idea that the Federal government ought to hand over the Federal domain to the ...
is still advancing, having gone form the Senate to the House.  As it proceeds, its gaining opposition from Wyoming's sportsmen.

Legislators would do well to remember that past proposals that drew the ire of sportsmen came back to haunt the individuals who voted for them, in some instances.  I suspect that this one would.  I know that it will impact my view of anyone who has supported it and will be included amongst the things I consider in the future, when they run again for office.

Wednesday, February 24, 1915. Stuck.

Ernest Shackleton ordered his crew to build ice kennels for the expeditions dogs and covert teh interior of The Endurance, now stuck in the ice for the winter, into winter quarters.

Last edition:

Tuesday, February 23, 1915. Movies aren't speech (well, yes, they are).

Monday, February 23, 2015

Tuesday, February 23, 1915. Movies aren't speech (well, yes, they are).

The U.S. Supreme Court decided in Mutual Film Corporation v. Industrial Commission of Ohio, 236 U.S. 230 (1915) that movies were not speech, upholding Ohio's film censorship board.  The Court stated:

APPEAL FROM THE DISTRICT COURT OF THE UNITED STATES

FOR THE NORTHERN DISTRICT OF OHIO

Syllabus

Where provisions for censorship of moving pictures relate only to films intended for exhibition within the state and they are distributed to persons within the state for exhibition, there is no burden imposed on interstate commerce.

The doctrine of original package does not extend to moving picture films transported, delivered, and used as shown in the record in this case, although manufactured in, and brought from, another state.

Moving picture films brought from another state to be rented or sold by the consignee to exhibitors are in consumption and mingled as much as from their nature they can be with other property of the state, and subject to its otherwise valid police regulation, even before the consignee delivers to the exhibitor.

The judicial sense, supporting the common sense of this country, sustains the exercise of the police power of regulation of moving picture exhibitions.

The exhibition of moving pictures is a business, pure and simple, originated and conducted for profit like other spectacles, and not to be regarded as part of the press of the country or as organs of public opinion within the meaning of freedom of speech and publication guaranteed by the Constitution of Ohio.

This Court will not anticipate the decision of the state court as to the application of a police statute of the state to a state of facts not involved in the record of the case before it. Quaere whether moving pictures exhibited in places other than places of amusement should fall within the provisions of the censorship statute of Ohio.

While administration and legislation are distinct powers and the line that separates their exercise is not easily defined, the legislature must declare the policy of the law and fix the legal principles to control in given cases, and an administrative body may be clothed with power to ascertain facts and conditions to which such policy and principles apply.

It is impossible to exactly specify such application in every instance, and the general terms of censorship, while furnishing no exact standard

Page 236 U. S. 231

of requirements may get precision from the sense and experience of men and become certain and useful guides in reasoning and conduct. Whether provisions in a state statute clothing a board or Congress composed of officers from that and other states with power amount to such delegation of legislative power as to render the provisions unconstitutional will not be determined by this Court in a case in which it appears that such Congress is still nonexistent.

The moving picture censorship act of Ohio of 1913 is not in violation of the federal Constitution or the Constitution of the State of Ohio either as depriving the owners of moving pictures of their property without due process of law or as a burden on interstate commerce, or as abridging freedom and liberty of speech and opinion, or as delegating legislative authority to administrative officers.

215 F. 138 affirmed.

Appeal from an order denying appellant, herein designated complainant, an interlocutory injunction sought to restrain the enforcement of an act of the General Assembly of Ohio passed April 16, 1913 (103 Ohio Laws 399), creating under the authority and superintendence of the Industrial Commission of the state a board of censors of motion picture films. The motion was presented to three judges, upon the bill, supporting affidavits, and some oral testimony.

The bill is quite voluminous. It makes the following attacks upon the Ohio statute: (1) the statute is in violation of §§ 5, 16 and 19 of Article 1 of the constitution of the state in that it deprives complainant of a remedy by due process of law by placing it in the power of the board of censors to determine from standards fixed by itself what films conform to the statute, and thereby deprives complainant of a judicial determination of a violation of the law; (2) the statute is in violation of Articles I and XIV of the amendments to the Constitution of the United States, and of § 11 of Article 1 of the Constitution of Ohio in that it restrains complainant and other persons from freely writing and publishing their sentiments; (3) it attempts to give the board of censors legislative power,

Page 236 U. S. 232

which is vested only in the general assembly of the state, subject to a referendum vote of the people, in that it gives to the board the power to determine the application of the statute without fixing any standard by which the board shall be guided in its determination, and places it in the power of the board, acting with similar boards in other states, to reject, upon any whim or caprice, any film which may be presented, and power to determine the legal status of the foreign board or boards, in conjunction with which it is empowered to act.

The business of the complainant and the description, use, object, and effect of motion pictures and other films contained in the bill, stated narratively, are as follows: complainant is engaged in the business of purchasing, selling, and leasing films, the films being produced in other states than Ohio, and in European and other foreign countries. The film consists of a series of instantaneous photographs or positive prints of action upon the stage or in the open. By being projected upon a screen with great rapidity, there appears to the eye an illusion of motion. They depict dramatizations of standard novels, exhibiting many subjects of scientific interest, the properties of matter, the growth of the various forms of animal and plant life, and explorations and travels; also events of historical and current interest -- the same events which are described in words and by photographs in newspapers, weekly periodicals, magazines, and other publications, of which photographs are promptly secured a few days after the events which they depict happen, thus regularly furnishing and publishing news through the medium of motion pictures under the name of "Mutual Weekly." Nothing is depicted of a harmful or immoral character.

The complainant is selling and has sold during the past year for exhibition in Ohio an average of fifty-six positive prints of films per week to film exchanges doing business in that state, the average value thereof being the sum of

Page 236 U. S. 233

$100, aggregating $6,000 per week, or $300,000 per annum.

In addition to selling films in Ohio, complainant has a film exchange in Detroit, Michigan, from which it rents or leases large quantities to exhibitors in the latter state and in Ohio. The business of that exchange and those in Ohio is to purchase films from complainant and other manufacturers of films and rent them to exhibitors for short periods at stated weekly rentals. The amount of rentals depends upon the number of reels rented, the frequency of the changes of subject, and the age or novelty of the reels rented. The frequency of exhibition is described. It is the custom of the business, observed by all manufacturers, that a subject shall be released or published in all theaters on the same day, which is known as release day, and the age or novelty of the film depends upon the proximity of the day of exhibition to such release day. Films so shown have never been shown in public, and the public to whom they appeal is therefore unlimited. Such public becomes more and more limited by each additional exhibition of the reel.

The amount of business in renting or leasing from the Detroit exchange for exhibition in Ohio aggregates the sum of $1,000 per week.

Complainant has on hand at its Detroit exchange at least 2,500 reels of films which it intends to and will exhibit in Ohio, and which it will be impossible to exhibit unless the same shall have been approved by the board of censors. Other exchanges have films, duplicate prints of a large part of complainant's films, for the purpose of selling and leasing to parties residing in Ohio, and the statute of the state will require their examination and the payment of a fee therefor. The amounts of complainant's purchases are stated, and that complainant will be compelled to bear the expense of having them censored because its customers will not purchase or hire uncensored films.

The business of selling and leasing films from its offices

Page 236 U. S. 234

outside of the State of Ohio to purchasers and exhibitors within the state is interstate commerce, which will be seriously burdened by the exaction of the fee for censorship, which is not properly an inspection tax, and the proceeds of which will be largely in excess of the cost of enforcing the statute, and will in no event be paid to the Treasury of the United States.

The board has demanded of complainant that it submit its films to censorship, and threatens, unless complainant complies with the demand, to arrest any and all persons who seek to place on exhibition any film not so censored or approved by the censor congress on and after November 4, 1913, the date to which the act was extended. It is physically impossible to comply with such demand and physically impossible for the board to censor the films with such rapidity as to enable complainant to proceed with its business, and the delay consequent upon such examination would cause great and irreparable injury to such business, and would involve a multiplicity of suits.

There were affidavits filed in support of the bill and some testimony taken orally. One of the affidavits showed the manner of shipping and distributing the films, and was as follows:

"The films are shipped by the manufacturers to the film exchanges enclosed in circular metal boxes, each of which metal boxes is in turn enclosed in a fiber or wooden container. The film is in most cases wrapped around a spool or core in a circle within the metal case. Sometimes the film is received by the film exchange wound on a reel, which consists of a cylindrical core with circular flanges to prevent the film from slipping off the core, and when so wound on the reel is also received in metal boxes, as above described. When the film is not received on a reel, it is, upon receipt, taken from the metal box, wound on a reel, and then replaced in the metal box. So wound and so enclosed in metal boxes, the films are shipped by the film

Page 236 U. S. 235

exchanges to their customers. The customers take the film as it is wound on the reel from the metal box, and exhibit the pictures in their projecting machines, which are so arranged as to permit of the unwinding of the film from the reel on which it is shipped. During exhibition, the reel of film is unwound from one reel and rewound in reverse order on a second reel. After exhibition, it must be again unwound from the second reel from its reverse position and replaced on the original reel in its proper position. After the exhibitions for the day are over, the film is replaced in the metal box and returned to the film exchange, and this process is followed from day to day during the life of the film."

"All shipments of films from manufacturers to film exchanges, from film exchanges to exhibitors, and from exhibitors back to film exchanges, are made in accordance with regulations of the Interstate Commerce Commission, one of which provides as follows:"

" Moving picture films must be placed in metal cases, packed in strong and tight wooden boxes of fiber pails."

Another of the affidavits divided the business as follows:

"The motion picture business is conducted in three branches -- that is to say, by manufacturers, distributors, and exhibitors, the distributors being known as film exchanges. . . . Film is manufactured and produced in lengths of about 1,000 feet, which are placed on reels, and the market price per reel of film of a thousand feet in length is at the rate of 10 cents per foot, or $100. Manufacturers do not sell their film direct to exhibitors, but sell to film exchanges, and the film exchanges do not resell the film to exhibitors, but rent it out to them."

After stating the popularity of motion pictures, and the demand of the public for new ones, and the great expense their purchase would be to exhibitors, the affidavit proceeds as follows:

"For that reason, film exchanges came into existence, and film exchanges such as the Mutual Film Corporation are like clearing houses or circulating libraries, in that they purchase the film and rent it out to different exhibitors. One reel of film being made today serves in many theaters from day to day until it is worn out. The film exchange, in renting out the films, supervises their circulation."

An affidavit was filed, made by the "general secretary of the national board of censorship of motion pictures, whose office is at No. 50 Madison Avenue, New York City." The "national board," it is averred, "is an organization maintained by voluntary contributions, whose object is to improve the moral quality of motion pictures." Attached to the affidavit was a list of subjects submitted to the board which are "classified according to the nature of said subjects into scenic, geographic, historical, classical, and educational and propagandistic."

Page 236 U. S. 239

MR. JUSTICE McKENNA, after stating the case as above, delivered the opinion of the Court.

Complainant directs its argument to three propositions: (1) the statute in controversy imposes an unlawful burden on interstate commerce; (2) it violates the freedom of speech and publication guaranteed by § 11, Article 1, of the Constitution of the State of Ohio; [Footnote 1] and (3) it attempts to delegate legislative power to censors and to other boards to determine whether the statute offends in the particulars designated.

It is necessary to consider only §§ 3, 4, and 5. Section 3 makes it the duty of the board to examine and censor motion picture films to be publicly exhibited and displayed

Page 236 U. S. 240

in the State of Ohio. The films are required to be exhibited to the board before they are delivered to the exhibitor for exhibition, for which a fee is charged.

Section 4.

"Only such films as are, in the judgment and discretion of the board of censors, of a moral, educational, or amusing and harmless character shall be passed and approved by such board."

The films are required to be stamped or designated in a proper manner.

Section 5. The board may work in conjunction with censor boards of other states as a censor congress, and the action of such congress in approving or rejecting films shall be considered as the action of the state board, and all films passed, approved, stamped, and numbered by such congress, when the fees therefor are paid, shall be considered approved by the board.

By § 7, a penalty is imposed for each exhibition of films without the approval of the board, and by § 8, any person dissatisfied with the order of the board is given the same rights and remedies for hearing and reviewing, amendment or vacation of the order "as is provided in the case of persons dissatisfied with the orders of the Industrial Commission."

The censorship therefore is only of films intended for exhibition in Ohio, and we can immediately put to one side the contention that it imposes a burden on interstate commerce. It is true that, according to the allegations of the bill, some of the films of complainant are shipped from Detroit, Michigan, but they are distributed to exhibitors, purchasers, renters, and lessors in Ohio, for exhibition in Ohio, and this determines the application of the statute. In other words, it is only films which are "to be publicly exhibited and displayed in the State of Ohio" which are required to be examined and censored. It would be straining the doctrine of original packages to say that the films retain that form and composition even when unrolling and exhibiting to audiences, or, being ready for

Page 236 U. S. 241

renting for the purpose of exhibition within the state, could not be disclosed to the state officers. If this be so, whatever the power of the state to prevent the exhibition of films not approved -- and, for the purpose of this contention, we must assume the power is otherwise plenary -- films brought from another state, and only because so brought, would be exempt from the power, and films made in the state would be subject to it. There must be some time when the films are subject to the law of the state, and necessarily when they are in the hands of the exchanges, ready to be rented to exhibitors, or have passed to the latter, they are in consumption, and mingled as much as from their nature they can be with other property of the state.

It is true that the statute requires them to be submitted to the board before they are delivered to the exhibitor, but we have seen that the films are shipped to "exchanges" and by them rented to exhibitors, and the "exchanges" are described as "nothing more or less than circulating libraries or clearing houses." And one film "serves in many theaters from day to day until it is worn out."

The next contention is that the statute violates the freedom of speech and publication guaranteed by the Ohio Constitution. In its discussion, counsel have gone into a very elaborate description of moving picture exhibitions and their many useful purposes as graphic expressions of opinion and sentiments, as exponents of policies, as teachers of science and history, as useful, interesting, amusing, educational, and moral. And a list of the "campaigns," as counsel call them, which may be carried on, is given. We may concede the praise. It is not questioned by the Ohio statute, and under its comprehensive description, "campaigns" of an infinite variety may be conducted. Films of a "moral, educational, or amusing and harmless character shall be passed and approved," are the words of the statute. No exhibition, therefore, or "campaign"

Page 236 U. S. 242

of complainant will be prevented if its pictures have those qualities. Therefore, however missionary of opinion films are or may become, however educational or entertaining, there is no impediment to their value or effect in the Ohio statute. But they may be used for evil, and against that possibility the statute was enacted. Their power of amusement, and, it may be, education, the audiences they assemble, not of women alone nor of men alone, but together, not of adults only, but of children, make them the more insidious in corruption by a pretense of worthy purpose or if they should degenerate from worthy purpose. Indeed, we may go beyond that possibility. They take their attraction from the general interest, eager and wholesome it may be, in their subjects, but a prurient interest may be excited and appealed to. Besides, there are some things which should not have pictorial representation in public places and to all audiences. And not only the State of Ohio, but other states, have considered it to be in the interest of the public morals and welfare to supervise moving picture exhibitions. We would have to shut our eyes to the facts of the world to regard the precaution unreasonable or the legislation to effect it a mere wanton interference with personal liberty.

We do not understand that a possibility of an evil employment of films is denied, but a freedom from the censorship of the law and a precedent right of exhibition are asserted, subsequent responsibility only, it is contended, being incurred for abuse. In other words, as we have seen, the Constitution of Ohio is invoked, and an exhibition of films is assimilated to the freedom of speech, writing, and publication assured by that instrument, and for the abuse of which only is there responsibility, and, it is insisted, that as no law may be passed "to restrain the liberty of speech or of the press," no law may be passed to subject moving pictures to censorship before their exhibition.

Page 236 U. S. 243

We need not pause to dilate upon the freedom of opinion and its expression, and whether by speech, writing, or printing. They are too certain to need discussion -- of such conceded value as to need no supporting praise. Nor can there be any doubt of their breadth, nor that their underlying safeguard is, to use the words of another, "that opinion is free, and that conduct alone is amenable to the law."

Are moving pictures within the principle, as it is contended they are? They indeed may be mediums of thought, but so are many things. So is the theater, the circus, and all other shows and spectacles, and their performances may be thus brought by the like reasoning under the same immunity from repression or supervision as the public press -- made the same agencies of civil liberty.

Counsel have not shrunk from this extension of their contention, and cite a case in this Court where the title of drama was accorded to pantomime, [Footnote 2] and such and other spectacles are said by counsel to be publications of ideas, satisfying the definition of the dictionaries -- that is, and we quote counsel, a means of making or announcing publicly something that otherwise might have remained private or unknown -- and this being peculiarly the purpose and effect of moving pictures, they come directly, it is contended, under the protection of the Ohio constitution.

The first impulse of the mind is to reject the contention. We immediately feel that the argument is wrong or strained which extends the guaranties of free opinion and speech to the multitudinous shows which are advertised on the billboards of our cities and towns, and which regards them as emblems of public safety, to use the words of Lord Camden, quoted by counsel, and which seeks to

Page 236 U. S. 244

bring motion pictures and other spectacle into practical and legal similitude to a free press and liberty of opinion.

The judicial sense supporting the common sense of the country is against the contention. As pointed out by the district court, the police power is familiarly exercised in granting or withholding licenses for theatrical performances as a means of their regulation. The court cited the following cases: Marmet v. State, 45 Ohio St. 63, 72-73; Baker v. Cincinnati, 11 Ohio St. 534; Commonwealth v. McGann, 213 Mass. 213, 215; People v. Steele, 231 Ill. 340, 344-345.

The exercise of the power upon moving picture exhibitions has been sustained. Greenberg v. Western Turf. Ass'n, 148 Cal. 126; Laurelle v. Bush, 17 Cal. App. 409; State v. Loden, 117 Md. 373; Block v. Chicago, 239 Ill. 251; Higgins v. Lacroix, 119 Minn. 145. See also State v. Morris, 1 Boyce (Del.) 330; People v. Gaynor, 137 N.Y.S. 196, 199; McKenzie v. McClellan, 116 N.Y.S. 645, 646.

It seems not to have occurred to anybody in the cited cases that freedom of opinion was repressed in the exertion of the power which was illustrated. The rights of property were only considered as involved. It cannot be put out of view that the exhibition of moving pictures is a business, pure and simple, originated and conducted for profit, like other spectacles, not to be regarded, nor intended to be regarded by the Ohio Constitution, we think, as part of the press of the country, or as organs of public opinion. They are mere representations of events, of ideas and sentiments published and known; vivid, useful, and entertaining, no doubt, but, as we have said, capable of evil, having power for it, the greater because of their attractiveness and manner of exhibition. It was this capability and power, and it may be in experience of them, that induced the State of Ohio, in addition to prescribing penalties for immoral exhibitions, as it does in its Criminal

Page 236 U. S. 245

Code, to require censorship before exhibition, as it does by the act under review. We cannot regard this as beyond the power of government.

It does not militate against the strength of these considerations that motion pictures may be used to amuse and instruct in other places than theaters -- in churches, for instance, and in Sunday schools and public schools. Nor are we called upon to say on this record whether such exceptions would be within the provisions of the statute, nor to anticipate that it will be so declared by the state courts, or so enforced by the state officers.

The next contention of complainant is that the Ohio statute is a delegation of legislative power, and void for that, if not for the other reasons charged against it which we have discussed. While administration and legislation are quite distinct powers, the line which separates exactly their exercise is not easy to define in words. It is best recognized in illustrations. Undoubtedly the legislature must declare the policy of the law and fix the legal principles which are to control in given cases; but an administrative body may be invested with the power to ascertain the facts and conditions to which the policy and principles apply. If this could not be done, there would be infinite confusion in the laws, and, in an effort to detail and to particularize, they would miss sufficiency both in provision and execution.

The objection to the statute is that it furnishes no standard of what is educational, moral, amusing, or harmless, and hence leaves decision to arbitrary judgment, whim, and caprice; or, aside from those extremes, leaving it to the different views which might be entertained of the effect of the pictures, permitting the "personal equation" to enter, resulting "in unjust discrimination against some propagandist film," while others might be approved without question. But the statute by its provisions guards against such variant judgments, and its terms, like other

Page 236 U. S. 246

general terms, get precision from the sense and experience of men, and become certain and useful guides in reasoning and conduct. The exact specification of the instances of their application would be as impossible as the attempt would be futile. Upon such sense and experience, therefore, the law properly relies. This has many analogies and direct examples in cases, and we may cite Gundling v. Chicago, 177 U. S. 183; Red "C" Oil Manufacturing Co. v. North Carolina, 222 U. S. 380; Monongahela Bridge Co. v. United States, 216 U. S. 177; Buttfield v. Stranahan, 192 U. S. 470. See also Waters-Pierce Oil Co. v. Texas, 212 U. S. 86. If this were not so, the many administrative agencies created by the state and national governments would be denuded of their utility, and government in some of its most important exercises become impossible.

To sustain the attack upon the statute as a delegation of legislative power, complainant cites Harmon v. State, 66 Ohio St. 249. In that case, a statute of the state committing to a certain officer the duty of issuing a license to one desiring to act as an engineer if "found trustworthy and competent" was declared invalid because, as the court said, no standard was furnished by the general assembly as to qualification, and no specification as to wherein the applicant should be truthworthy and competent, but all was "left to the opinion, finding, and caprice of the examiner." The case can be distinguished. Besides, later cases have recognized the difficulty of exact separation of the powers of government, and announced the principle that legislative power is completely exercised where the law "is perfect, final, and decisive in all of its parts, and the discretion given only relates to its execution." Cases are cited in illustration. And the principle finds further illustration in the decisions of the courts of lesser authority, but which exhibit the juridical sense of the state as to the delegation of powers.

Section 5 of the statute, which provides for a censor

Page 236 U. S. 247

congress of the censor board and the boards of other states, is referred to in emphasis of complainant's objection that the statute delegates legislative power. But, as complainant says, such congress is "at present nonexistent and nebulous;" and we are therefore not called upon to anticipate its action, or pass upon the validity of § 5.

We may close this topic with a quotation of the very apt comment of the district court upon the statute. After remarking that the language of the statute "might have been extended by description and illustrative words," but doubting that it would have been the more intelligible, and that probably by being more restrictive might be more easily thwarted, the court said:

"In view of the range of subjects which complainants claim to have already compassed, not to speak of the natural development that will ensue, it would be next to impossible to devise language that would be at once comprehensive and automatic."

In conclusion, we may observe that the Ohio statute gives a review by the courts of the state of the decision of the board of censors.

Decree affirmed.

[Footnote 1]

"Section 11. Every citizen may freely speak, write, and publish his sentiments on all subjects, being responsible for the abuse of the right, and no law shall be passed to restrain or abridge the liberty of speech, or of the press. In all criminal prosecutions for libel, the truth may be given in evidence to the jury, and if it shall appear to the jury that the matter charged as libelous is true, and was published with good motives and for justifiable ends, the party shall be acquitted."

[Footnote 2]

Kalem Co. v. Harper Bros., 222 U. S. 55.

This ruling, rather obviously, is not the current state of the law at all.

Pornographic content was already becoming a problem.

A court of inquiry started on the causes of the Singapore Mutiny.

Joseph Davilmar Théodore was forced to resign as President of Haiti following a counter-revolution.

Last edition:

Monday, February 22, 1915. Long shot.

Monday at the Bar: Courthouses of the West: Ewing T. Kerr Federal Courthouse, Casper Wyoming

Courthouses of the West: Ewing T. Kerr Federal Courthouse, Casper Wyoming:







Saturday, February 21, 2015

Cities and Yeoman's First Law of History

Research and the University of Colorado suggests that:
Our findings indicate the fundamental processes behind the emergence of scaling in modern cities have structured human settlement organization throughout human history, and that contemporary urban systems are best-conceived as lying on a continuum with the smaller-scale settlement systems known from historical and archaeological research.
And; 
What we found here is that the fundamental drivers of robust socioeconomic patterns in modern cities precede all that.
And that wealth and monuments were easier to find in ancient cities, like modern ones.

Can't say we're surprised.  Yeoman's First Law of History at work again.

Random Snippets: Saturday Night Live really isn't all that funny, and never has been.

Saturday Night Live is celebrating its 40th Anniversary right now, and it recently had a special in which all of its surviving old hands came in and reprized some of their famous skits.  And everyone has some that  they like.  I, for example, like the memory of The Samurai Delicatessen, even if when I see it rerun it doesn't seem to be that funny. And some of the mock ads, or the some skits, I find genuinely funny.  And nobody can deny, I think, that the mock political debates are hugely funny, as are occasionally the satires of individual Presidents (the ones of Clinton were hilarious).

Having said all of that, by and large, the show just isn't all that good.

Now, humor is very subjective, but for a lot of Saturday Night Live to be funny, you have to have both a sophomoric sense of humor that even most sophomores in college or in high school don't have, and I think it helps if you fit into a downtown, middle class, east coast urban demographic.  That demographic seems to fill the population of television writers in general, and indeed years ago on NPR I had heard how a surprising number of comedy writers all come out of the same Ivy League school which is why they all have the same sense of humor from their college days, which never really changes.  Humor is, I"m pretty sure, both genetic and cultural, and there's a lot of funny stuff out there which just isn't going to make it on to something like Saturday Night Live, let alone television in general. In contrast, there are entire acts that one demographic finds funny and another does not. Chevy Chase, for example, isn't funny.  In anything.  But somebody must think so.

But Saturday Night Live, in spite of not really being all that funny, by and large, is long running, and television likes to celebrate itself, and so it has been. And that's part of the appeal, I think, of Saturday Night Live.  The culture believes its funny as to maintain otherwise would be to suggest that we've all been playing along. 

Of course, it could all be subjective.  My wife thinks Wayne's World is hilarious.  I think its stupid.  My son and I find the Grand Budapest Hotel to be very funny, my wife does not.  Everyone here loves Oh Brother, Where Art Thou?, but one of my in laws can't stand it.

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Friday, February 20, 2015

Agricultural Ignorance

As somebody with a foot in agriculture, and a foot outside of it, I have a view of both worlds and how people in one perceive the other.  I don't know that this is always a good thing, but it is something I experience.  One thing about it is it makes it plain how often one group mus-perceives the views and the status of the other.  I've written about this a bit here before, often in the context of how those who have spent their lives in agriculture don't appreciate, in some circumstances, the unique gift they have in the modern world to be able to live on the land, and how they erroneously believe that "good" city jobs are the path to idle richness.

But perhaps a bigger misconception, in the West, is the one held by a select group of liberal environmentalist on how nature actually works, and how that dovetails with real agriculture.  This ignorance, moreover, can bleed over to the general non agricultural population country wide, and can have, or threaten to have, really negative consequences.  It also leads, in part, to the pretty pronounced distrust that agriculturalist have for "experts" outside of agriculture, and of those who brand themselves to be environmentalist.  As somebody who is very familiar with farmers and ranchers, I've sometimes wondered why they seem so opposed to what would seem to be sensible conservation efforts, or what seems to be well established, if controversial, scientific matters.  Or even, in some circumstances, environmental positions.

But, if you spend much time listening to environmentalist, you'd know why.  They can be as blind and ignorant as anyone.

As an example, take the current issue of The New Republic.  I've mentioned the magazine, now just past its 100th year, here before.  This pat issue was an odd one anyway you look at it, but included in its oddity is an article blaming ranchers in the west, and more particularly the dreaded "public lands rancher", for drought in the West.

 Stock tank, several years ago during a drought.  The water is on, but no cattle are to be seen, a  there weren't any in this pasture, which never looks any better than this, but which does support both deer and antelope, and seasonally, cattle.

Bull.

The thesis is, basically, that cattle drink up all the water and cause drought.  Nonsense.

Cattle do require a lot of water, but everywhere the brake on range carrying capacity is grass, not water.  Even in the arid West, in the parts I'm familiar with, there's generally enough water if there's enough grass.  And if there's truly not enough water, all the cattlemen I'm aware of cut back on the number of cattle they have.  In the modern West, I've never seen an instance of cattle drinking a water source dry.  And generally, if there's that little water, there's not very much grass, and cattle numbers were accordingly cut back anyhow.

Beyond that, the old idea that use of water creates drought hearkens back to the long discredited views of the 20s and 30s that "rain follows the plow" or that trees cause rain. They don't.  It was sincerely believed that production agriculture created rain clouds in the 1920s, and seriously advanced as a theory, to the detriment, and over the opposition of, cattlemen.  In the 1930s, when the dust bowl had disproved this (and the plowed ground started going back to rangeland), the new theory about trees was advanced and the Federal government planted them all over in droughted areas under the naive belief that they'd cause rain, when in fact their water consumption did the opposite.

It isn't, of course, that cattle don't drink water, they do, but precipitation in any one year, much of which in the West comes during the winter, isn't controlled by that.  The snow that fell here over the past two days came from moisture stored up in clouds over the Pacific Ocean, not over a local stock pond.

And speaking of stock ponds, one of the real ironies of current environmental baloney on this topic is that it always cites to wildlife, when in fact the creation of ranch based water projects, and some farm based ones, actually caused and supported the boom in wildlife numbers in the middle of the 20th Century.  Old accounts make it plain that prior to stock ponds much of the prairie was devoid of large wildlife as a rule.  Small ponds changed that.  And as wildlife habits differ from those of cattle, stock ponds benefit wildlife more than they do cattle.  Indeed, I've been stopped by a game biologist years ago just so he could ask me about a windmill driven stock tank.

Deep down, I don't t hink that the opposition to agriculture in the West, and this sort of animosity is centered in the West in terms of its focus, really has much to do with the environment in real terms.  If it did, environmentalist would be backing ranchers, not opposing them.  Indeed, the irony of this is pointed out by one of the books written by an anti, a University of Wyoming law professor, who laments early in her book that her view from her house in Laramie is despoiled by a cow, which means that here house, at the time the book was written, was most likely relatively new in Laramie and in fact had directly despoiled the prairie itself.  And that points out what I think is the real root of such views.

Almost all hardcore anti agriculture views of this type, just like hardcore veganism, or the like, come from deeply industrial supported urban lives.  People who life in cities, even if they oppose it, are so deeply supported by industrialism that they can hardly grasp it directly.  It often seems, however, that they sort of sense that, and as they feel uncomfortable with it, they strike out at something.  With some, it causes them to view the wildlands preserved by Western ranching as parkland, for their hobby use, in a deeply industrial supported manner.  The armies of Gortex clad weekend hikers up in the hills are there only because of their petroleum fueled lifestyles, and are even wearing industrially produced synthetic clothing.  They're about as close to nature, in that sense, as workers in a chemical plant, but they don't acknowledge that.  Perhaps they sense that, to a degree, but at any rate with urban jobs supported by an advanced industrial economy that has economic roots and supply lines across the globe, they react by wanting to drive ranchers and farmers, who actually live on the land, off it, and thereby convert the land into what they think will be an even bigger or more pristine park, but what will in fact be busted up into more little divisions and thereby destroy the land itself.

At some point this becomes a real problem, as a society so divorced from real nature, is really in trouble.  And perhaps that's where another radical idea may be in order, at this point.  There's a myth of government supported agriculture in this country, which is largely untrue except in certain specific instances.  But the system of mega agriculture is supported in so far as the American economy is a corporatist capitalist economy.  Some other nations, France being an example, go more for a distributist agrarian model in agriculture, recognizing that there's value in a densely populated nation in keeping a percentage of that population on the land, and grounded in reality.  With our nation becoming so distant from nature, and yet with so many people yearning to be part of it, or part of agriculture, perhaps we should consider something of the same.